According to reports, Coldplay’s record label EMI is “a little embarrassed” about Coldplay’s decision to ban the streaming of its latest album, Mylo Xyloto, on any streaming sites — including Spotify. Disregarding the fact that Coldplay has gone downhill since A Rush of Blood to the Head and that Chris Martin is Devon’s answer to Bono, the band’s decision won’t change album sales. Here’s why:
I may be generalising here, but Spotify users most likely moved on from Coldplay years ago. The band’s target audience (hi, mum!) has either not heard of Spotify, or doesn’t have an inclination to use it. Generalising again, these fans will be buying the album on CD or maybe downloading it on iTunes if they are really tech-savvy.
But let’s ask digital music expert Stuart Dredge of Music Ally for a less offensive opinion. Music Ally’s editor has been reading a lot of negative reports about Coldplay’s decision, but believes that they’re incorrect to say the band will rue the day they ever nixed Spotify:
“A lot of online commentary has suggested that Coldplay will regret their decision to shun the streaming services, because more people will pirate their album. The latter bit is probably true, but I think Coldplay are one of the bands big enough not to suffer. They’ll still sell a load of albums (physical and digital), sell out stadiums on their tour, and make money in various other ways from film/TV sync deals, merchandising and so on.”
Aren’t we constantly being told that bands and musicians can only make money these days by embarking on hundred-date tours around the world, like Lady Gaga, or by “selling their souls” to advertisers, such as the Black Eyed Peas’ Will.i.am? (Who’s shilled for BlackBerry, Intel and a robotics competition in recent years.)
True, this does mean Coldplay can afford to throw us peasants a few bones by sticking its latest album on streaming sites (which do send a few banknotes bands’ way, even if it’s not much), but it also means it can be more choosy with how it sell Mylo Xyloto.
While it’s unlikely Coldplay’s decision will affect the various bank accounts that depend on the album’s success, Dredge is worried about what this spells for the future:
“The danger now is that other big artists look at Adele (her new album is not on streaming services, but selling in its millions) and Coldplay (likewise) and think that they’re doing so well *because* they’re not on Spotify and other streaming services.”
The decision to shun streaming sites was first reported on Cnet, which heard from sources that Coldplay’s taking a Pink Floyd approach with its latest album, not wishing the songs to be split up individually; instead preferring the entire album to be listed to as “one cohesive work.” Maybe that would’ve worked 20, even 10 years ago, but we’re living in a post-iPod world now, where playlists are carefully crafted and albums are only listened to in its entirety if the user’s stuck a CD into a slot somewhere. However much Coldplay is holding onto its album with tight hands, there’s no taking on Apple — the album’s tracks are available for purchase individually on iTunes. [Cnet]
Image Credit: Idolator













Yeah, just seen on Facebook that Mylo Xyloto is #1 in all iTunes stores, all 35 of them! I don’t think they care about Spotify right now haha!
Anybody listened to the album? Thoughts?
What a patronising article.
You start off by saying it doesn’t matter that they withheld their album, then towards the end you are implying that it does matter and other big artists may choose to do the same.
Spotify is not the answer to the music industry’s problems. It pay’s artists pretty much nothing, and it seems the more popular it gets the more money it loses. They only reason it has survived this long is because it’s funded at the back door by the majors. The majors don’t want iTunes to have full control of the market.
It wasn’t my aim to be patronising; I was merely trying to get people thinking about the wider picture of Coldplay not putting their album up for streaming.
Nowhere did I say that Spotify is the answer, but I do think it’s silly of artists to ignore that streaming services can open up a lot of doors for them. Consider it another legal alternative to iTunes’ 90-second song preview. I’ve bought several albums after getting a feel for a band on Spotify, and I know I’m not alone there.
Wasn’t there an article on gizmodo.com a few months ago, where a band laid out how much money they got from various channels? I would link but I can’t get to the US site any more.
I don’t know, but just goto http://us.gizmodo.com to get to the US site
Just redirects to the UK site
Sounds like you’re thinking of this one: http://us.gizmodo.com/5840580/what-a-band-really-makes-from-streaming-sales
(If you’re having problems accessing the US site, just ensure cookies are enabled and then use the URL us.gizmodo.com)
Got it now. Doesn’t work in Firefox.
You need to do some research, you can listen to Adele’s new album in full on mflow.com http://beta.mflow.com/album/adele/21 also your facebook sign-in does not work!
Fb sign in does work it just times out after 1 day
“Coldplay has gone downhill since A Rush of Blood to the Head and that Chris Martin is Devon’s answer to Bono”
Exactly! I’m glad i’m not the only one who thinks this.
Personally, i’m not too bothered that its not on spotify. Like you said, I doubt im in the target audience. Unless im the same age as your mum
which I hope im not. And, i’m quite fickle tech wise. The name Spotify puts me off. I hardly use it. I lie, i use it once or so a month, if I hear something I think i may want to buy. I check it out there.
I do love Spotify, but agree it’s an amazing tool to gauge whether something is worth buying / downloading. Of course, if someone from Spotify were replying to you right now, they’d leap in with the fact that you can download tracks from within Spotify…
Wait… “Coldplay has gone downhill since A Rush of Blood to the Head and that Chris Martin is Devon’s answer to Bono”.
Really? And then you go on to say Coldplay’s target is your audience is your Mum. Are you stupid? I mean come on! They are undoubtably the biggest band in the world, and your suggesting that there target audience is Mum’s.
“Spotify users most likely moved on from Coldplay years ago”
Number one in the iTunes store in every country that has it.
What logic are you applying here???
You might not like them, I might not like them. But you can’t say that they aren’t the lagest selling band in the world currently and therefore aren’t popular with young people.
Kat is right, My Mum’s a bit too old to like Coldplay, but my 60 yr old aunt thinks they are great and has all their CD’s – they started sounding like U2′s latest stuff a few albums back.
I would never equate “largest selling” with quality music – many great bands made quality music before going downhill while simultaneously continuing to rise in popularity. Red Hot Chili Peppers are another example that comes to mind.
Having listened to the album pretty extensively (and no, I am not anyone’s mother), I reckon it’s the worst Coldplay record to date. Spotify users aren’t missing out on anything.
It’s also a bit hypocritical for them to talk about wanting to keep the album as a cohesive whole, because they released Every Teardrop as a single months ago.
Arcade Fire not being on Spotify is one of the reasons I don’t have a premium account anymore
Now THERE is an omission that makes me sad.
I may be generalising here, but Spotify users most likely moved on from Arcade fire years ago
“I may be generalising here…”
Yes. Yes you are.
“These fans will be buying the album on CD or maybe downloading it on iTunes if they are _really_ tech-savvy.”
What is this condescending drivel? Mug.
“Disregarding the fact that Coldplay has gone downhill since A Rush of Blood to the Head and that Chris Martin is Devon’s answer to Bono”
Why disregard this? The main reason their decision doesn’t matter is that THEY don’t matter.
I use spotify heavily (almost exclusively) for music, I refuse to download music illegally and since I’m already paying my £10 a month I struggle to justify the expense of buying extra CDs so I wont be buying the album. I would however of listened to it on spotify which means coldplay will loose out on any streaming revenue they may have gotten from me and I will loose out on their new album.
Artists, producers etc. for music, TV and film need to realise that as time goes on a larger portion of their audience will become tech savvy enough to download their content. If they don’t provide a legitimate way for people to do this that they can monetise they are going to loose out.
And I don’t mean just a single legitimate way to get hold of content. The current system can produce a scenario where in order to legally get music from artist x you need to buy it in a format which has DRM all over it, for this artist y you need to be subscribed to ‘this service’ and for artist z you need to go and buy a CD. Or you can jump on torrents and get it all on high birate, DRM free MP3. I know which one offers the better user experience, which is easier and which is cheaper. It’s only my personal ethics that mean I don’t do this and I know I’m in the minority where these ethics are concerned.
This is why I support spotify and why I get wound up when bands withhold their music for it its a user experience nightmare that helps no one.
You do realise that artists get pittance from Spotify? As in, pennies? So to be honest, you might as well be downloading your music illegally.
The only way to truly support an artist is to buy it from as close a source to them as possible.
I admire your ethics and wholeheartedly agree with the problem that the service from paid routes is much lower quality.
The money men however will wince when they see you can’t justify more than £10 a month on music. They really want to go back to the days where people go out in their droves week in and week out to buy at least 2 new albums for £15 (non inflation adjusted).
They want the good times back and it just isn’t going to happen.
Coldplay are big, therefore they don’t need Spotify. They get lots of air play on TV and radio and are middle-of-the-road enough to appeal to millions of the iTunes-using and CD buying public. Seems like a smart move on their part really. If you have a premium Spotify account, you’re either a mug or you have a very limited taste in music (or both). The choice of music on there is still really poor, and until these types of services address this they will struggle to get a critic mass of subscribers
After having to purchase the album without being able to get a proper feel of the album, I wholeheartedly regret doing so! Such a poor album!
How did you not manage to get a feel for it? They played quite a lot of their new songs at Glastonbury, so they’re on youtube, itunes now has 1.30 demos, long enough to get a feel for most of the songs and in the days before the album was released you could hear one track a day in full. I think there’s enough material there to at least get a proper feel of the album…