Why You've Never Heard of This Typeface That Defined the 1980s

By Kelsey Campbell-Dollaghan on at

Apple, Trapper Keeper, and Reebok – three of the most well-known brands of the 1980s, and three companies that used the same futuristic-looking typeface to do it. So why isn't the typeface a classic like other period pieces *cough*Helvetica*cough*? Fate is a funny thing.

Fonts In Use and BrandNew point out the odd case of Motter Tektura, a typeface crested in 1973 by the Austrian designer Othmar Motter, who died in 2010. If you were alive in the late 1970s or most of the'80s, you'll recognise it as the former font used in Apple's early logos, as well as those of the American schoolkids' folders Trapper Keeper and Reebok, which kept it in use well into contemporary times.

Tektura actually played a major role in the evolution of Apple's identity. Before the company adopted it as its logo type, the "bite mark" in the apple had teeth marks. But it was rounded out to fit Tektura's curved "A" letterform, and it stayed that way long after Tektura was retired:

Why You've Never Heard of This Typeface That Defined the 1980s

In fact, Apple's in-house typefaces like Chicago even mimic certain aspects of Tektura. Steve Jobs even used it on his business cards in 1979:

Why You've Never Heard of This Typeface That Defined the 1980s

Image: Fancy.

While Motter, and his Tektura, might be household names within the typography world, they certainly aren't well-known to the general public. Yet like famous typefaces like Helvetica and Arial, Tektura played a major role in early consumer technology (and puffy file folders!). So what happened? Well, it's hard to say, but there are a few explanations.

Fonts In Use points out that there's no authorised digital version of Tektura, which would make sense; in 1973, or even 1979, typefaces were still drawn as analogue letterforms. Tektura arrived at the tail end of that era, and seemingly never made the leap. What's more, Font Feed points out that Motter moved away from type design after those successful years, focusing on logos instead.

But deep down, it might have more to do with the endless, rotating wheel of "good taste." Helvetica, a typeface that was designed in 1957, only really saw a resurgence over the past decade. The popularity of "retro" design comes in cyclical waves, after all. Just last week Trapper Keeper announced it was bringing back its own old school puffy sleeves. Perhaps Tektura is almost due for its own renaissance. [BrandNew]