There are fancy cameras, and then there are flagship professional DSLRs, big super powerful overkill machines designed for ultra-fast performance. Nikon teased its latest monster, the D5, in the autumn. Today, it’s been formally introduced.
This overhaul is the first major refresh of Nikon’s top line since Nikon announced the D4S two years ago. The D4 came out back in 2012. The D4 introduced some rudimentary Full HD video powers to Nikon’s flagship line as well as unprecedented high ISO image quality, which made the camera a low-light killer. The D4S further refined the video.
With the D5, the line gets 4K video capture. In four years Nikon’s top camera has gone from no video to 4k video. Nikon’s never been known for video, and its learning curve was ugly, so I wouldn’t necessarily expect a barnburner right away. Then again, much cheaper cameras like the Panasonic GH4 and the Samsung NX1 deliver excellent 4K video, so maybe we’ll be impressed.
This is still probably primarily a still camera, and it spares no spec on this front. The camera is built for speed, with a new 153-point autofocus, and a maximum continues frame speed of 12 frames-per-second. It has a 20.3-megapixel full-frame sensor, which is higher-resolution than the previous D4’s, which were just 16-megapixel resolution.
On the chipset side, the D5 continues the flagship line’s excellent high ISO sensitivity with a standard sensitivity of 102,400 and an expanded sensitivity of 3,280,000. 3 million, yo! What?
On the hardware side, the biggest change is the addition of a touchscreen—this is unusual for high-end DSLRs, and it’s generally been considered more of a consumer feature.
Like its predecessors, the D5 is a big boy. At a glance the ergonomics seem similar, but we’ll have to wait until we know just it handles.
In addition to the D5, Nikon also introduced the D500 its new top-of-the-line DX format—read APS-C-format-camera.