China is an increasingly essential part of the global film market, and cracking into success there is a venture that any Hollywood film franchise needs to take seriously. Star Wars has not done exceptionally well, and Donnie Yen, who was in Star Wars himself, has some thoughts as to why.
“Yeah, and that’s unfortunate,” said Yen, who is promoting his most recent film, Big Brother. “Star Wars – Chinese audiences didn’t grow up with Star Wars culture, so unfortunately it didn’t work. Marvel is a lot easier to understand. Star Wars, there’s a whole universe out there. Marvel, from the costumes, to the music, to the idols, to the stars, it’s much easier to close the gap between the film itself and the audience.”
According to Yen, the problem is a mixture of cultural cache and narrative and stylistic accessibility. Star Wars, for the uninitiated, is hard to understand – why would I care about the Skywalker Saga, or the Jedi, without the built in cultural legacy of knowledge that the series’ success in has brought? It’s an interesting challenge to the way these films are made, as Star Wars is, well, pretty fundamentally serialised, relying on narrative connection and a certain level of functional space opera knowledge on the audience. Without that, does Star Wars work? My friends who never managed to get into the juggernaut would tell me, no, no it does not.
It’s also, Yen said, a matter of taste and regional style, and Western filmmakers not taking an interest in what works in foreign markets. Which can lead to some odd complications.
“I mean, when you’re talking about American films you’re essentially talking about Western filmmaking,” said Yen. “How to make a film and what is good about a film. The structure, the finance, the distribution, the marketing. That’s the gold standard, that’s the Bible and I’m still learning. Chinese filmmakers are still learning, but at the same time we have an edge. We’ve been watching and studying these films. But – vice versa – I don’t think enough western filmmakers have spent the time to really analyse the Asian market – that’s why you’ll notice a lot of American films don’t work over here…”
If this sort of trend continues, then we might see a slow transformation of the Hollywood style, as the West adapts to the demands of foreign markets to try to get better sales. At least the MCU doesn’t have anything to worry about. It works everywhere, apparently.